欲望沐浴：继母与姨妈

　　Following her mother’s death, manga artist Soriya travels to her ancestral home in Phnom Penh, with hopes of reconnecting with her distant family and using the visit as inspiration for her work. All goes well initially. Renting an apartment in Metta, a rundown Khmer Rouge-era housing complex, her visit to her maternal relatives finds her welcomed with open arms. But Soriya’s waking hours in the apartment and its surroundings are punctuated by terrifying, bloody visions, almost as though she were a conduit for horrors of the past wanting to seep into the present.　　Inrasothythep Neth and Sokyou Chea’s blood-chilling psychological horror explores a personal and political past through the present, transforming a characterful space into an insidious environment. Surrounded by modern high-rises, this decrepit structure, with its brutalist architecture and peeling surfaces, is a relic from a dark period in history whose painful memories it has absorbed. In tracing Soriya’s ominous journey back to her roots, Tenement hints at a necessary reckoning with Cambodia’s political past without overplaying its historical dimension. It’s an impressive work from a woefully underrepresented national cinema.

　　尤哈（萨卡里·库斯曼嫩 Sakari Kuosmanen 饰）和玛利亚（卡蒂·奥廷宁 Kati Outinen 饰）是一对生活在幸福和平淡之中的老夫少妻，两人住在他们经营的农场里，离群索居不问世事。一天，一个名叫辛麦卡（安德烈·维尔姆斯 André Wilms 饰）的男人来到了农场，他的车抛锚了。善良的尤哈邀请辛麦卡在农场过夜，哪知道就此为自己找了个麻烦。　　原来，辛麦卡是一个油嘴滑舌的花花公子，他花言巧语诱惑和哄骗了玛利亚，最终，玛利亚决定和辛麦卡私奔。然而，来到了大城市后，辛麦卡才露出了自己的真面目，他将玛利亚卖到了一家妓院里替自己工作。当尤哈得知了玛利亚的近况后，他决定向辛麦卡寻仇。

　　1936年冬，抗联战士刘文泽等人于林海雪原伏击日军，欲夺回被窃国宝，却发现是赝品。他们与渡边一郎部周旋，多名战友牺牲，后在情报员老吴、僧人观空协助下找到地宫。最终众人与日军激战殉国，而他们用生命守护的国宝，50年后在般若寺遗址重现。

　　当双胞胎兄弟哈尔和比尔在阁楼上发现父亲的旧猴子玩具之后，他们周围开始发生一系列可怕的死亡事件。兄弟俩决定把猴子扔掉，继续他们的生活，但多年来却越来越疏远。但当神秘的死亡再次开始时，兄弟俩必须重新团结起来，找到一种方法来彻底消灭这只猴子，以免它夺走所有与他们亲近的人的生命。