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琼·伊约拉,阿拉祖,尼古拉斯·萨尔蒙在西班牙马略卡岛的一次旅行中，两位年轻女子（吉尔和薇薇安）在一家偏僻的酒吧里遇到了一群欧洲游客。她们一起游览了当地的徒步路线，却以薇薇安惨遭杀害而告终。友谊逐渐被猜忌和恐惧所取代，幸存者们开始努力找出潜伏在她们中间的凶手。——布鲁克法官
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耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
聊斋：魅首诡案
吴添豪,马丽亚,阿丽亚,郭绅钰,傲蕾来自西域的舞姬阿离三年前惨死客乡，身首异处，她的妹妹阿月来到事发的客栈，联合戏法师李久成和县令张承合谋演了一出大戏，将三年前涉及此事的相关人等都聚于一堂，巧设妙计让当年害死姐姐的凶手互相指证现形，最终查明了姐姐死去的真相，洗去了污名并昭雪报仇。
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有没有40级以上的大佬，出来评论让我康康[:a滑稽:]
给不能截图的宝子
我也来当一回小天使[:b害羞:]
告诉我腾讯为什么要打码！我非常愤怒(｡･ˇ_ˇ･｡:)
你们要是撑不住了就跟大火说一声，直接给你们打米，别tm像漫王那样
会等的，大大慢慢画天启篇完毕后可以开新番外了，雨总的美貌我离不开哇
别忘了沈浪当年把小舅子从废柴到。。。别说你乞丐出身，拿下冠军都不在话下。
天赋哪儿有开挂重要[:a狗头:][:a狗头:][:a狗头:]
唐炎是谁来着？时间太久都忘了
这衣服上怎么还有bt两个字呢？