豹妹

1956年匈牙利革命后，一个男孩从小被母亲灌输了关于已故父亲的理想化故事，却突然遇到一个粗野的男人，对方声称自己是他的亲生父亲。

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

　　拥有一个成功的美发沙龙，即将嫁给她梦想中的男人，MIYA认为事情不会变得更好。当她收到婚礼邀请时，事情很快就开始崩溃——她的未婚妻伊恩和前未婚妻洛里的婚礼。不久，宫被一个穿着婚纱和面纱的怪异新娘跟踪，伊恩开始怀疑宫可能正在编造这一切。当一系列可怕的事件开始发生时，宫先生确信莉莉正在实施一个扭曲和致命的复仇计划

洛杉矶警探乔瑟夫（克莱格·谢菲尔 饰）是个标准败类，嗑药嗑得比谁都勤快，调查命案不忘顺手牵羊，更枉顾家中妻小，专搞迷人可爱的阻街女郎。一宗幼童谋杀案现场，乔瑟夫捡回一只受过诅咒的奇异盒子，打开后怪事不断一桩接一桩：昨夜搞上的妓女意外身亡，他瞬间成为头号嫌疑犯；一连串似幻似真的恐怖体验更不断尾随，无脸怪人四处追杀人群，《养鬼吃人》系列当家猛鬼－针头鬼（Pinhead）也重出江湖，一个头两个大的乔瑟夫该如何解决这谜一般的虚实梦魇？本片改编自克里夫巴克（Clive Barker）恐怖小说「受地狱羁绊之心」The Hellbound Heart，这颗坏心肠的主人正是故事男主角乔瑟夫，身为警察的他自身行为不检点也罢，涉嫌谋杀难以脱罪的他竟然嫁祸好同事，善恶终有报，恶徒乔瑟夫果然陷入万劫不复的魔鬼梦魇，活著比死更痛苦。