女子曲球

　　刘父半生积蓄被奸商所骗，更在法庭败诉，郁郁而终，死前托女儿小云找奸人家族报仇。奸人家族一早不值奸商所为，设下以奸治奸的圈套，不料简仁与简贵为争小云欢心，被奸商利用……

　　高速公路：琵姆是高速公路收费站夜班收费员。凌晨三点钟在她当值的时候，一股邪恶力量正在威胁她的生命。 一夜情：谭是一个绘画修复者，喜欢参加各种派对和夜店。一天，谭遇见了一个神秘、性感的女人娜潘，并对她一见钟情。第二天凌晨三点钟，他找到娜潘并跟随她到她家。这个女人究竟是谁？ 电视直销：山姆是一档电视购物节目的导演。他的组员和主持人打算合伙捉弄他。他们密谋了一系列奇异的事件，想要报复一下这个自大的导演。凌晨三点钟，导演助理欧接到了山姆女朋友的电话，她打电话来是告诉他，山姆在来电视台的路上出车祸死了。欧试图把这个消息告诉组员们，但是没人相信他的话。这时，所有灯瞬间熄灭，恶作剧开始了……

Ayşe, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. 　　However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. 　　Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 　　源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster

大学生青春励志，追求自己的梦想！三个青年人回归大学的生活学习中，继续努力，不断充实自己，让自己有机会，有能力站在更高的平台上，在各自的人生舞台上闪闪发光。她们仍然热爱电影、拍摄电影，但更爱踏实勤奋的自己。