红色假期黑色婚礼

评分:4.9 播放:32万 更新:2026-05-11

剧情简介

韩国限制级影片,女主角还曾经获得过釜山电影奖,黑色婚礼融合了小说和纪实风格在最显着的突出了它的恒星(七情表演的孙赵默的电影,在明星把那无异于"重新发现;)。使用是导演和助理dierctor的两名董事 

在线播放

影片档案

片名
红色假期黑色婚礼
分类
歌舞
评分
2.6
播放量
75万
类型
喜剧
更新日期
2026-05-11
地区分类
剧情

演员阵容

布努埃尔
关锦鹏
盖·里奇
弗朗切斯科·罗西
格里菲斯
陆川
陈木胜
维多里奥·德·西卡

影评专栏

呵呵,买了200多张阅读卷了,要是给我be了……

— 来栖マコ

我是给了钱的怎么能把❗放上面了呢这是在欺诈我们这些消费观众,这得举报才行

— 南月ゆう

好甜,我舔舔舔

— 李宇镇

问一下,这个是bl还是gb?

— 日轮早夜

试着打个劫……如果有等级比我低的,可以点个赞

— 倂秀氏

玻璃镜是给我的女娃用的,你们也配?滚!

— 那々伊

分享你一个大宝贝#·兔兔#,用上后“我家”直接就是一个金碧辉煌的大升级喔!!

— 大麦茶

横扫千军![:a狗头:][:a狗头:][:a狗头:]

— 池玲文

观众热评

たこた

姐妹们,我又来了

강복치

爽!!!画风无可挑剔剧情也在线!!!错雨99!!!!!

이아루

伏笔有个考官掉了张试卷如果不出意外的话一定是蓝疯子的

鸣海彬

上一秒,迷迷糊糊的小可爱下一秒,漂亮的清冷美人

후다닥

如果雨总知道这个卡片是掉过地上的,会怎么样

麻生海

三年了,搜出来没有

七ノ日

国君真是为沈浪操碎了心,连色相都卖了[:a无奈:]

山中ヒコ

小说里是沈浪进宫以后,种妃还趴在他身上,没穿衣服[:a狗头:][:a狗头:][:a狗头:]

榛名仁

镇远城灭苏篇终于要落下帷幕了,期待下一个篇章😊

近藤旭

终于等到你!还有谁不知道#·兔兔#上线了嘛!喜欢的都给我冲!!

ゼ之助

有群吗,有了@一下我

ダヨオ

漫画里面画的并不离谱,现实中更离谱。人有的时候就是很纯。

本周票房排行

院线排片信息

正在热映
红色假期黑色婚礼
影片类型
歌舞
同类热播
喜剧
观众评分
9.0
累计播放
26万
更新时间
2026-05-11
类型推荐
剧情
题材分类
灾难
风格标签
伦理

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爵士之王

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保罗·惠特曼,约翰·博尔斯,劳拉·拉普兰特,珍妮特·洛夫,格伦·特莱昂,William Kent,斯利姆·萨默维尔,The Rhythm Boys,凯瑟琳·克劳福德,卡拉·莱姆勒,Stanley Smith,George Chiles,Jack White,Frank Leslie,沃尔特·布伦南,Churchill Ross,约翰·阿利奇,内尔·欧黛,Harry Barris,Bobbe Brox,Kathlyn Brox,Lorraine Brox,André Cheron,平·克劳斯贝,杰克·富尔顿

左拉传

 威廉.狄特尔执导的这部影片获得了第十届奥斯卡最佳影片等三个奖项。故事描述法国文坛巨匠左拉的一生经历,以及他为了正义而不屈不挠的精神。重点讲述他为军官德雷福克斯平反冤案时的遭遇和他不畏强权势力的正义感。保罗.茂尼和约瑟夫.史屈克劳的演出精彩令人难忘,就几场法庭辩论戏这部分而言,本片也可视为法庭电影的先锋。

保罗·穆尼,盖尔·桑德加德,约瑟夫·希尔德克劳特,格洛丽亚·霍顿,唐纳德·克里斯普

等待方舟

  Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.  Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?  n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.  What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.  On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.  One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.  Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

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