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任家华是一位身手了得的大盗,和女友安里应外合,劫持了押款车,获得了巨额赃款。探员李铁坚负责追查此事,并且最终将怀疑的目标锁定在了任家华和安的身上,然而却并没有确凿的证据可以指控两人。李铁坚关押了任家华和安,然而,他只有四十八小时的时间,如果在此期限之内两人没能够认罪,那么他们将彻底逃脱法网。为了得到证词,李铁坚决心严刑逼供,然而这一招对于身经百战的任家华和安却并没有什么用,任家华甚至反咬一口,控告李铁坚暴力执法。最终,警员们决定联起手来,凭借着他们的智慧将两人绳之于法。
In this very late 60's irreverent, almost anarchic low-budget film, Brian De Palma defines more of his strange, given Hitchcock-like fascination of voyeurism, and attacks the issues of the day. The most prominent of which, both cringe-inducing and just plain funny, is when he focuses on the black-power movement (a black woman handing out fliers asking white people 'do you know what it's like to be black'), which is something that could only work for that time and place, not before or now. But one of the key things to the interest in the film is 27 year old Robert De Niro (not his first or last film with the director), who plays this character who sits in a room looking out through his telescope at women in their rooms, setting up phony deals, and in the end basically throwing bombs. Those who have said that De Niro can't act and just is himself in every movie should see this movie, if only out of some minor curiosity. A couple of times in the film it's actually not funny, as when there's a disturbance in a black-power meeting (filmed in a grainer, rougher style than the rest of the film). In the end it's capped off with a rambling monologue in an interview that tops De Niro's in King of Comedy. It's pretty obvious where De Palma's career would go after this, into slightly more mainstream Hollywood territory, but all of his trademarks are here; the dark, almost nail-biting comedy, the perfectly timed style of voyeurism, and interesting usage of locals. Think if De Palma and De Niro did a Monty Python film, only even more low-budget and in its New York way just as off-the-hinges, and you got Hi, Mom! It also contains an eccentric and funny soundtrack. imdb comment
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