异世界性爱社团

Ayşe, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. 　　However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. 　　Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 　　源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster

　　20世纪80年代初，站街流莺辛蒂（瓦妮莎·哈金斯 Vanessa Hudgens 饰）险些遭人杀害。与此同时，在阿拉斯加一处荒凉所在，一名女性尸体被人发现。警官杰克·海尔康伯（尼古拉斯·凯奇 Nicolas Cage 饰）从辛蒂处了解到，凶手手段残暴无情，并且可能是个连环杀手。由于背负着不堪回首的过去，杰克一方面决定保护这个侥幸从死神手中逃脱的女孩，另一方面将目标锁定在曾在70年代有过前科的男子罗伯特·汉森（约翰·库萨克 John Cusack 饰）身上。罗伯特道貌岸然，不动声色继续着他的猎杀活动，当他意外再度出现在辛蒂面前时，正邪双方的对决即将到了关键时刻……　　本片根据真实事件改编。

　　只是一场意外，却又超乎意外。驾车撞死一条狗，男子与妻女来到陌生车房。凭其义肢走动时的声响，车房工认出司机或是当年施酷刑的狱吏。仇人送上门，雪恨更待何时。然而，狱中受折磨时双眼被蒙，嫌疑犯是行刑者确实无误？从早到晚奔波一轮，找来几个狱友确认俘虏身份，痛苦回忆涌上心头。在无 垠沙漠等待把他活埋私了，有若在人性荒原等待果陀，替天行道又是否问心无愧？以悬疑惊栗布局，暗黑写实的人物故事来自巴纳希狱中亲见亲闻，将苛政、滥权、以暴易暴一一置于道德伦理的天秤上，丈量人性轻重；悲愤中不失幽默，连消带打贪污贿赂之风。一面金棕榈奖，绝非意外。

　　Gentry Wade, who gave up music after her father's death decades ago must confront her past when Nashville's Grand Ole Opry invites her to honor her late country star dad at their Christmas celebration.