人骨麻将

　　一个出生在印第安区的黑人女孩意外继承了一片充满石油的土地，汹涌的黑金下，她将面对攫取、迫害、偏见、中伤，并用她的意外横财去帮助他人。

在这片充满剑和魔法的土地上，土匪们为了保护一个小女孩而脱离了他们的帮派，让他们与曾经像他们父亲一样的老朋友和前领导人对抗。

　　美发师纪阿开（张学友）、服装设计师大眼龙（莫少聪）和风水师赖布丁（周星驰）三个死党合伙开了一家新潮美发店，不料开业当天就与隔壁理发店老板发生争执，幸得店老板女儿亚英（张敏）及时出手风波平息，过程中，三人皆被亚英魅力吸引，为赢其芳心，开始频频登其家门献殷勤。　　某次晚餐聚会后，三人烂醉与亚英误睡一室，导致亚英怀孕，为与亚英一起生活，三人争先恐后将准父亲一职往自己身上揽，又因三人血型相同，医院也无法验出谁在冒名，亚英父母决定先考察三人表现，为争当最佳女婿，三人使尽浑身解数展开激烈角逐。

Ayşe, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. 　　However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. 　　Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 　　源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster