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Hamza Ali Mazari, whose real identity is Jaskirat Singh Rangi, pursues his undercover operation within Pakistan's criminal world while tracking down Majo.
兰维尔·辛格,阿克夏耶·坎纳,桑杰·达特,阿俊·拉姆鲍,马达范,莎拉·阿尔琼,Rakesh Bedi,Danish Pandor,Saumya Tandon,高拉夫·杰拉,Manav Gohil,Naveen Kaushik,阿卡什·库拉纳,K Anshuman Thakur,Vikash Rai
金属之声
一个摇滚乐队的鼓手(里兹·阿迈德)突然发现自己失聪,他的乐队搭档露(奥利维亚·库克)和他都很懊恼,但又不得不面对这残酷的现实。影片去年在多伦多电影节首映,作为导演处女作获得媒体好评。
里兹·阿迈德,奥利维亚·库克,保罗·拉西,劳伦·利德洛夫,马修·阿马立克,克里斯·佩尔费蒂,迈克尔·陶,威廉·泽法尔茨,亚历克斯·基尔戈尔,杰米·加扎里安
等待方舟
Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔
木乃伊2026
一个被埋藏的秘密,正准备被揭开。失踪多年的凯蒂突然回来,但回来的,真的还是原本的她吗?那些看似“好转”的变化,其实,是另一种腐败的开始。
杰克·莱诺,莱娅·科斯塔,梅·卡拉美维,娜塔莉·格蕾斯,维罗尼卡·法尔孔,艾米丽·米切尔,哈亚特·卡米勒,比利·罗伊,希洛·莫利纳,梅·埃尔格蒂,迪恩·艾伦·威廉姆斯
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啊啊啊啊给我留点活路吧,我的高光没了啊啊啊啊啊
哇还有谁不知道我获得了#·兔兔#的第NO.01260126个主题编号嘛?支棱起来了xdm!
画师有了解过女性身体结构吗?胸画的跟两个大水袋一样,看得有点不适了[:a黑线:]能不能别搞得这么低俗
今天的更了
宁焱左下角跟做贼似的,鬼鬼祟祟跑路
质量可以的,只求能稳定发展不要断更🙏
终究还是棋差一招!
干得漂亮,就酱拖回去,扔床上,关上门,然后……呵呵呵呵呵呵呵
晚睡的孩子有糖吃