朋友的妻子波多野结衣

　　根据约瑟夫和丽贝卡·鲍在普拉佐集中营的婚礼被斯皮尔伯格的辛德勒名单纪念的真实故事改编。Bau，《战争中的艺术家》是一部战争剧/爱情故事/间谍故事，在这个幸存者正在死亡、大屠杀正在从记忆中消失的时代需要讲述。约瑟夫在营地里运用他的艺术技巧，活了下来，帮助数百人逃走。奇迹般地，他在绝望中找到了爱。一种将持续一生的爱。几年后，当他被传唤为残酷的纳粹军官受审的关键证人时，他被重新带回了大屠杀的生动记忆中。纳粹军官折磨了他并杀害了他的父亲。现在，他呼吁这种爱和精神的韧性来面对他过去的终极恶魔。

冷峻英俊的查尔斯·J·克里斯芬多（置鲇龙太郎 配音）是得到梵蒂冈认证的圣职者，同时也是一名拥有强悍战斗力的独立吸血鬼赏金猎人。但他白色身份的另一面，是隐藏着无尽秘密的吸血鬼。他从不吸食献血，是一名虔诚祈祷的圣徒。不过有一个例外，那就是查尔斯的祖先强尼·雷夫罗（藤原启治 配音）。雷夫罗当初利用符咒自行堕落成一名吸血鬼，堪称所有吸血鬼的祖先。他为查尔斯提供源源不断的血液，每当查尔斯前往世界各地执行任务时，雷夫罗便以“食物”的身份随行。这次的任务有些奇怪，修女向查尔斯展示了一名神秘少女，而交换的代价便是查尔斯的主人兼食物——雷夫罗……　　本片根据日本漫画家黑乃奈奈绘的同名原著改编。

　　艾瑞克经营一家摩托车修理店，和自己的女朋友以及她的年幼女儿幸福的生活在一起，然而这种平静的生活被一个名叫亨利的陌生人打破了，艾瑞克过去的黑暗秘密阴影开始笼罩这个家庭。我们真的可以完全告别过去吗？我们可能已经改变了，但是有些过去的行为却继续如影随行。　　在《立体声》中，一个男人充满热血、没有丝毫胆怯的赎罪行为让我们印象深刻。

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.