一个40多岁的已婚妇女，有着强烈的欲望

　　一名过气冰上曲棍球教练，在麻州小镇中领导一队二流球队辗转作战，终于在最后一场比赛中挽回他失落的名声。这是一部拍得相当直率粗暴的男性化运动片，冰上曲棍球的比赛场面经常可见互殴和流血镜头，加上对白的"四字经"不绝于耳，当年首映时也引起了不少争论。曾经合作过金像奖电影《刺激：骗中骗》的导演乔治·莱希尔和明星保罗·纽曼，再一次表现出卖力的成绩。

 Con artist Fabian, on the run from his pursuers, ends up at a winter wedding where he plans to steal a valuable statue. But then a murder derails his plans.

　　XX是一个新的恐怖文选与性别扭曲的所有段将由女性导演将明星的女主角。在预算和时间限制下，董事们被赋予了自由的创造力，但所有的片段都将涉及到恐怖类型。

　　故事发生在1921年的西班牙，一艘蒸汽船载着260名西班牙移民驶往美国，他们满心期待在那里能够开始他们崭新的人生。不幸的人，一场船难袭击了这群追梦者，他们所乘坐的蒸汽船载西班牙加利西亚海岸附近的一座小岛旁沉没了。幸运的是，岛上生活的三个女人发现了这批遇难者，她们热情的给予了帮助，最终，50名乘客得到了救助，保住了性命，这三个女人也因此名声远扬，被视为英雄。　　一名阿根廷记者闻讯来到了这座小岛，想要将这件事情写成报道，可是，随着他调查的深入，记者发现很多事情都和他所听说的不符，不仅如此，他还开始怀疑，或许蒸汽船的沉没从一开始就不是一场意外。

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

　　明正德年间，禁卫百户耿烈因钦差被杀贬为捕头。此时宁昌府发生连串命案，波及宁王寿宴，耿烈奉命追查。为宁王献画富商被毒杀，刺杀钦差的女杀手再次出现，这一切让耿烈意识到宁昌府酝酿的风暴，将会改变大明的朝局。