爱丽丝旅馆

　　20世纪80年代初，站街流莺辛蒂（瓦妮莎·哈金斯 Vanessa Hudgens 饰）险些遭人杀害。与此同时，在阿拉斯加一处荒凉所在，一名女性尸体被人发现。警官杰克·海尔康伯（尼古拉斯·凯奇 Nicolas Cage 饰）从辛蒂处了解到，凶手手段残暴无情，并且可能是个连环杀手。由于背负着不堪回首的过去，杰克一方面决定保护这个侥幸从死神手中逃脱的女孩，另一方面将目标锁定在曾在70年代有过前科的男子罗伯特·汉森（约翰·库萨克 John Cusack 饰）身上。罗伯特道貌岸然，不动声色继续着他的猎杀活动，当他意外再度出现在辛蒂面前时，正邪双方的对决即将到了关键时刻……　　本片根据真实事件改编。

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

修行千年的寒魄彩蛛蛛儿受佛祖点化化为人形，化身猎妖人下凡，与甘露、芝草、长风携手除魔卫道。蛛儿对甘露情深，却因人妖殊途陷入痛苦。无虚掌门被妖力反噬企图夺其修为，蛛儿为救众人牺牲三千年道行灭魔，最终明白真情所在是芝草。