太想被你爱了 ADN-008

　　故事讲述鲍伯刚和恋情长跑的女友分手，心碎不已时巧遇一只可爱到不行的流浪猫，而鲍伯好友克拉伦斯更被小猫萌翻，两人给小猫取名‘Keanu’，而‘百炼钢化为绕指柔’大男人从此化身猫奴，每天陪猫、爱猫，与猫为伍。某天鲍伯的家被流氓集团闯空门，更惨的是他们的爱猫‘Keanu’竟然被绑架！为了营救爱猫，两人决定混入贩卖毒品的圈子，为方便接近流氓集团......

　　媒体从业人员帕特里克·卡特（肯塔克尔·德利 Kentucker Audley 饰）意外联系到了失踪许久的姐姐卡罗琳（艾米·西米茨 Amy Seimetz 饰）。卡罗琳当初曾在戒毒所治疗，如今住进了一个名为“圣伊甸园”的地方，并自称过上了乌托邦般的生活。为了弄清姐姐的下落，帕特里克和同事兼好友山姆·特纳（AJ·鲍恩 AJ Bowen 饰）、杰克·威廉姆斯（乔·斯万博格 Joe Swanberg 饰）启程前往圣伊甸园的所在地调查。这座乐园位于一个鲜为人知的隐秘所在，许许多多生活中经历痛苦和坎坷的人们，在“父亲”（吉恩·琼斯 Gene Jones 饰）的感召和抚慰下重获新生。　　出于媒体人的敏感，山姆取得了和“父亲”对谈的机会，但他却从对方幽默机智的谈吐中嗅到了一丝杀气……

来自河北廊坊的说唱少年，王笑，因一次意外打架事件背负巨额欠款。王笑母亲在不明真相的情况下替王笑支付了该笔欠款，王笑知道后和母亲大吵一架并且决定前往北京打工还债。来到北京之后王笑接连租房受骗，感情受挫，说唱事业也无法继续发展，而且再次欠下巨额欠款。王笑该如何面对这一切？

　　一个故障百出的 AI 机械人正面临被淘汰的命运，却因爱上一个女人而躲进一个男人的血肉之躯，用尽千方百计夺取芳心。

当他们假装还爱着对方的时候，YouTube上的“丁”和“宝石”情侣?在正式分手前，这对夫妇为了最后一篇内容而放弃了钻石戒指的主要制造商。直到我遇到了一位著名的“完美”生活教练，他利用孩子作为谋生手段，并打算从妻子那里获得监护权，他们三个别无选择，只能互相帮助来完成这次营救任务。当车开走的时候，突然，这个可怕的神秘人从黑暗中冒了出来，导致他的车出了事故，无法继续前进，他自告奋勇地把这三个人带到一个偏远的玉米地的废弃房子里过夜。面对“Mahathirachai”，一个邪恶的鬼魂，包括房子里的居民，他们既看不见，也看不见。起初，他们认为这所房子里的鬼故事都是由幻象引起的，但当他们发现每个人都和一个来自前国家的鬼魂有关时，他们花了几百年的时间想要从他们那里得到一些东西!

Ayşe, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. 　　However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. 　　Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 　　源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster