尽管黑夜
剧情简介
法国加拿大合拍的电影，《河堤上的白夜》的导演菲利普·格朗德里厄编导，威尼斯国际电影节影后亚里安妮·拉贝德、罗珊娜·马奎达主演，菲利普·格朗德里厄，一位任职于法国最著名的电影学院——La Femis 的实验电影导演，2015年的最新长片作品。迄今为止，他已经创作了四部长片，并有入围洛迦诺电影节与威尼斯电影节竞赛单元的经历。在他的作品中，大量虚焦手持摄影，对局部特征的关注，使观众不再拥有阐释空间，只得全身心地投入到纯粹的影像世界中。《尽管黑夜》延续了前作的形式，一男二女互相追逐的感情故事，完全臣服于感官体验的基础架构，感染力极为惊艳。
在线观看高清
演员阵容主要角色
绝世武功招式谱
无招胜有招，以意驭剑，破尽天下武学
至刚至猛，掌力所及，摧枯拉朽
身法飘逸，闪避间如履薄冰又若御风
以气为剑，六道剑气纵横无敌
人物关系图谱
观众点评
有点烦了！！又要等下个星期。。要不主笔在加一卷！
强呀呀强！[:a可爱:][:a可爱:]
国君真是为沈浪操碎了心，连色相都卖了[:a无奈:]
马的……老大你吓死我了，好不容易困了准备睡，这一下全精神了
不是沈在城门领军的都敢宰了这帮人拿个棒子往前冲？
谁截了图啊，想要三个神棍宝宝的合影
看过小说的透露一下，最后沈浪给种师师办了没啊？
一直在考虑个问题，老五这么黑，是因为要政治正确吗？
雨总[:zgxdheizi|yyds:]拿图吱声[:a可爱:]
刚看的热血，怎么断了啊，啊，难受啊！[:a生气:]最关键，打脸的一幕啊
同类古装佳作
草莓之夜2013
仿佛永不停歇的连绵之雨，引领着成军四年半的姬川班前往终点。在一周时间内，东京连续发生三起作案手法雷同的杀人事件，死者全部隶属最大黑帮大和会的下属组织。警方旋即成立搜查总部，组队四课坚持认定该案件因继承人之位而起，而姫川玲子（竹内结子 饰）提出质疑，导致总部分裂。随之而来的神秘电话，令玲子将目标锁定在柳井健斗（染谷将太 饰）的陌生男子身上，然而高层却下令她禁止追查柳井这条线索。绝不随便屈从强权的玲子，在菊田和男（西岛秀俊 饰）等姬川班伙伴的掩护下展开独立调查，在此过程中，柳井不堪回首的过去以及和警方错综复杂的关系逐渐明朗。而和自称房地产商人的牧田勋（大泽隆夫 饰）邂逅，使得同样背负着伤痕的玲子命运发生转变…… 本片根据誉田哲也的系列悬疑小说《草莓之夜》改编，为同名电视剧的剧场版。
万物生灵：2025圣诞特别集
Channel 5和PBS Masterpiece宣布一次性续订《万物生灵》第五季、第六季，均由6集和圣诞特别集组成。
妖星哥拉斯
不明妖星哥拉斯在茫茫宇宙中不断前进，沿途吸附大量的星际飞行物，不断的变庞大，日本的观测宇宙船隼号，为了探明其质量大小，不幸被一起吸附，但是其在最后关头向地球发出了其质量数据，使地球上的人对其有了个初步认识，后经科学家计算测定，其质量为地球的６１００倍，而且将在４５天后与地球相撞。 为阻止地球与哥拉斯的相撞，科学家想出了一个大胆的办法，就是运用水素离子装置在南极造一个喷射基地（类似与火箭发射器），让地球动起来，在哥拉斯到来之前，使地球移动到其他轨道．等哥拉斯安全通过后，然后在北极在建个基地，使地球在回到原来的预定轨道。 计划实施的非常顺利，全世界各国在国联的带领下在南极建立了基地，但是由于在南极建造基地，在火焰发生器的作用下让长眠在南极的海象怪兽苏醒了，并破坏了一部份基地，后来，在飞机导弹的攻击下，怪兽死了，但由于怪兽的破坏，火箭发生器推迟了时间，到底地球能不能脱离哥拉斯的吞噬呢？
等待方舟
Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.